(1616/17, Alkmaar - buried October 13, 1678, Alkmaar), older brother of Allart van Everdingen and Jan van Everdingen, was a Dutch Golden Age portrait painter. Caesar Pietersz van Everdingen also known as Caesar Boetius van Everdingen was educated in Utrecht, where he learned to paint from Jan Gerritsz van Bronckhorst.Caesar became a member of the painter's guild in Alkmaar in 1632. His first known painting dates from 1636. In 1648 he moved to Haarlem, where he joined the Haarlem Guild of St. Luke and the civic guard (or schutterij) there, where he met Jacob van Campen. From 1648 to 1650 He helped him with the decoration of the Oranje Zaal (Orange room) in Huis ten Bosch. In 1658 he moved back to Alkmaar where he started a workshop and took on pupils. Many of his pictures are to be seen in the museums and private houses of the Netherlands. His pupils were Jan Theunisz Blanckerhoff, Adriaen Dekker, Hendrik Graauw, and Thomas Heeremans.Houbraken also lists two other pupils; Adriaen Warmenhuizen, and Laurens Oosthoorn.   Related Paintings of Caesar van Everdingen :. | Ecce Homo | View of the Cascade of the Gorge near Allevard | the bull | Self portrait | Lydia at the Tapestry Loom |
Related Artists:
MASTER of Saint Cecilia
Italian Byzantine Style Painter, active 1300-1320
GOZZOLI, Benozzo
Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes
Carlo Francesco Nuvolone
Italian Baroque Era Painter, 1609-1662 was an Italian painter of the Baroque period, active mainly in Lombardy. He was born in Milan to an Cremonese father and mannerist painter, Panfilo Nuvolone. After working with his father, he studied under Giovanni Battista Crespi (il Cerano) in the Accademia Ambrosiana in Milan. In that studio he would have encountered Daniele Crespi and Giulio Cesare Procaccini. Of particular interest is his depiction of himself as a painter surrounded by his family of artists